I work within the framework of contemporary painting, on the border of figurative and abstract art, exploring the theme of human perception, memory, and focus in an era of total digital noise. Modern people are accustomed to viewing the world through the flawlessly smooth, cold glass of screens. In this "glossy" reality, objects lose their weight, texture, and true tangibility, becoming flat streams of information.
The main tool here is the binary nature of the textures: a completely smooth, meditative background collides with an expressive, sculptural brushstroke. The smoothness symbolizes entropy, digital emptiness, and the fog of fading memories, while the relief is a manifesto of presence, an "anchor" of reality that resists disappearance and forces the form to break through into the viewer's space.
My artistic practice is an attempt to return to the viewer a tactile, physical feeling of life. Ultimately, both the images and the non-objective forms in my works serve one purpose: to return to the viewer the lost ability to feel – not to look, but to feel reality, before it has dissolved into smooth digital noise.
My practice is the return of a tactile feeling of life.